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Cynthia Atkins
Cynthia Atkins grew up in Chicago,
Il. She received a BFA and MA in painting and English from the University
of Illinois, and then an MFA in poetry from Columbia University.
For four years, she worked as assistant director for the Poetry
Society of America. Since moving to Rockbridge County, Virginia,
she has taught English and Creative Writing at Sweet Briar College,
Hollins University, and currently at James Madison University. She
also serves as artistic director for WRITERS@JORDAN HOUSE (reading
series and workshops). Atkins' poems have appeared or are forthcoming
in various journals including, AMERICAN LETTERS & COMMENTARY,
BOMB, BLOOMSBURY REVIEW, CHELSEA, DENVER QUARTERLY, LUNA, NEW YORK
QUARTERLY,RIVENDELL, SEATTLE REVIEW, SENECA REVIEW, SOU'WESTER,
THE TEXAS REVIEW AND VERSE. A couple of upcoming anthologies: "Blues
for Bill: A tribute to Wiliam Matthews,' and "In Our Own Words:
A Generation Defining Itself." Atkins is a also a visual artist
and works with her husband to make functional and funky assembledge/wood
pieces, which can be found on www.postpcasso.com
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Holes White space as in flour
to my notebook, where the moth I drew an hour ago, just flew off
It left a cone or a sphere-The space around the margin, like the body's imprint
The place I'm digging?- Unreachable,
as in a picket-line, or a picket fence. For a moment, I want to see the in between,
of a 3-legged dog. As a girl, I punched them in jar-lids, to watch the metallic souls
repeat as a neon sign. At the last, when the bathtub drains, do I remain?
into something guttural, like my father snoring in heaven-or taking up the bag-pipes,
Every how many miles do I rotate
The coat I wore to the hole in the ground has gone to the moths.
My insides lined with terrorists, this womb a terrible coffin-Unborn. Undone.
an armchair or an arm
The hole that the moth left
I let the insects fly out of the jar.
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